Selective dyslexia or Freudian Slip?
Some days start quite functionally, and today was no
exception. I was on LinkedIn, scanning the profile page when my eyes, or is it
attention, passed over a function box that said “Upload a file”. Here’s the
thing, though – I read this as “Upload a life”.
And this got me thinking and making connections, starting
with recalling my common and repetitive keyboard slips, and the odd amusing “typo”
that – nowadays anyway – only I would chuckle at, since the people I shared it
with at the time are no longer around.
The trouble with all THAT kind of stuff, all the
little fragments of our lives that hang, cryogenically suspended in memory
waiting for the activating trigger or the breath of fresh air that brings it
back to life – into consciousness – is this:-
It all takes up space on the hard drive of our
lives, or is like stuff we’ve put up in the loft of our lives ...
PLUS,
When restored into consciousness it then has the potential to derail and disengage us from the Present Moment.
PLUS,
When restored into consciousness it then has the potential to derail and disengage us from the Present Moment.
The longer we spend in reverie or memory,
the more the disengagement – and the more the disengagement the more we become
almost ‘hypnotised’ by the recollection.
Now we can de-clutter our lofts and our everyday lives
by throwing away real and tangible clutter like that – yet can we do that with
the hard drives of our lives?
Our lives have a narrative which is the chronicle of
how we’ve got to here from all that has gone before there, so surely the only
way we can de-clutter all THAT stuff is when we suffer memory loss?
Isn’t it?
Isn’t it?
De-clutter
the emotional content
Well there is a way, and that begins when we acknowledge the amount
of emotion we’ve wrapped around the item, or the event, or the memory. For out of that acknowledgement comes the
ability to differentiate between the objective content and the emotional
content.
I call it emotional paint, and it is that that we
liberally daub onto things, events and memories to make them MORE real, more
vivid. We do this with things that are equally happy or sad or all points in
between. So when we de-clutter the emotion then we are using emotional “paint
stripper” - in essence.
The trouble with emotional content is that our ‘daubing’
often goes on at an unconscious level, so we are sometimes unaware of some of
the associations we have coded away.
One of the most powerful associative triggers is
smell, or fragrance. We notice a smell and that will take us right back to something
or someone that we’ll recollect with total clarity. Then, out of that recollection,
will come flooding a whole raft of emotional paint that we’re quite unprepared
for.
Emotional content triggered by fragrance is, I would say, the hardest to
de-clutter. The next most powerful – and also the most tangible for me at least
- are sounds, and particularly music.
J
S Bach – Prelude No.1 in C major BWV 846
My son played this at my mother’s funeral.
The thing
is it is a piece that I am totally aware of and would be likely to re-encounter
over and over again in my life going forward. I knew in advance that I needed
to restore it to its rightful place in my library of “music that I love”,
instead of it being placed on a shelf also containing sad and dark emotions of
deep loss. That had happened for me with Albinoni’s Adagio – a very well known
piece – that had been played at the funeral of a friend who had died well
before his time. Every time I hear it, even now, I am right back at the church
and in that part of the service. It was very emotional.
So I went onto You Tube and played every single
different version of the Bach piece. Some were played on piano, some on
harpsichord – some were played fast and some slow. I heard many different
perspectives – and when I was comfortable and ready, I knew then that my
association of the piece with my Mum’s funeral had ceased to be on the wrong
shelf.
Emotional stripping, de-cluttering and de-coding can
take many forms, yet the end product is always a realignment of a truer and
more objective interpretation of the original – whether it is a person, an
event, an action or indeed any experience.
Time was, when I used to find things in my loft or –
especially – in an old trunk in my loft, that I would put everything on hold
while I revisited the associations, walked the pathways, saw what I saw, heard
what I heard and felt what I felt – back THEN.
Now I have an Understanding of what used to take
place and rarely, if ever, encounter anything other than what is right here in
the Present moment. It IS very liberating and certainly, in the case of the
Bach Prelude in C major, I discovered that out of the dissipation of my grief
came the most rewarding gift. I see that gift as having come from my mother and
it comforts and reassures me that her guidance, advice and presence has never
left, and will always be here.
I never set out to obtain such an outcome when I
chose to listen to an almost endless number of versions of the Bach, however! Interestingly,
I would refer you to the comments Andre Gavrilov makes about the piece. “It is
white, “he says, “Just white. It could be angel-like if you wish!”
Afterthought
On reflection when I consider “Upload a Life”, which
is where all this started, I am still surprised when I look around and see how
little I’ve still brought with me when I upload my life now. The file-size on my
hard drive is nothing like it was even five years ago, and especially ten or particularly
fifteen years ago. Where has all that content gone?
Perhaps this is why I have so much room to enjoy the
day to day stuff now, for I’m more engaged with the Present and have no need to
reach for that pot of emotional paint all the time.